@dailyshoot #ds228. Construction seems to be perpetual: streets, sidewalks, buildings. Make a photo of something under construction today.
@dailyshoot is a Twitter-based project for sharing photos done to match a daily assignment, as a way to kick free the mental cobwebs, and push photographers, some serious, some fascinated newcomers, to explore ways of shooting, and aspects of photography that they might not come to on their own. And especially on Flickr it seems to be turning into a community of similarly obsessive photo nuts of all kinds. Usually one is more or less expected to shoot and process images on the day of the project. But some projects don't really seem well suited to that, and not every day can be dedicated to a project that, so far, has not generated any income to compensate for the costs involved in photography (something I really need to be keeping in mind, at least for myself at this point). I probably need desperately to be doing a lot more self-promotion at this point, here and with some of the writing projects that I've been working on in some cases for years. With many of the major studios in financial free-fall, though, it is hard to generate enthusiasm. Perhaps I just need to be on drugs so that tilting at windmills will seem more like a rational plan of action?
Anyway, here's what I said about this image on Flickr, and it's still true almost 45 minutes later:
In the interest of the environment (and the fact that I'll be driving for at least 5 hours tomorrow) I've taken the liberty of adapting a RAW image from January that I'm pretty sure I've never made public, rather than spend what may be hours scouting for an interesting construction job, or risking shooting while driving, if I were to find some surprise road construction (which is almost a certainty if I drive long enough).
This is the faux HDR version. Photomatix was used for tonemapping from a RAW image.
I might find an actual today shot if plans work out, but that depends on a lot of random.
Sidenote to camera nuts, this was taken the first day I had this lens (a Canon EF 28-300mm 1:3.5-5.6 L IS USM). And after looking at this image and processing it a few different ways, I found a new source of extreme camera pr0n from the wonderful people at Creative Cow. Go there only if you, like me, wish you'd figured out much earlier in life how to get trained and hired as a cinematographer/director of photography for major motion pictures or indie masterpieces.
Source file: IMG_6405_tmFhdr.jpg
There's really not that much more to say. Some days I wish I'd saved myself from installing this particular bit of code, since most of the time I don't really need to generate a "next page", do I?